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Oct 2nd 2008 10:16AM
Filed under: photography


I haven't blogged in quite a while, but I'm proud to have a comeback tour featuring the site Women in Photography..

I went to Aperture on Monday for the kickoff of a new series of educational lectures curated by Laurel Ptak of I Heart Photograph. This particular event featured the creators Amy Elkins and Cara Phillips of the female-centric online gallery, Women in Photography, and two of the featured artists on the site, Elinor Carucci and Robin Schwartz.

After an introduction explaining the reasons behind WIP's conception, Elinor Carruci discussed her personal work while flipping through never seen images. If you're familiar with Elinor's style, the work is painstakingly intimate, revealing beautiful yet embarrassingly tender moments.. The portfolio transitioned into images of her children enraged and delicate; the vulnerability once unraveled in herself tenfold within her children.

Robin also touched on the odd vulnerability of her child, Amelia. Her series, Amelia's World, is a surreal portfolio of her crystalline-eyed child interacting with animals. The scenes aren't hesitant dog pettings in the park, but are of feeding deer sandwiches, or sitting alongside a wild elk in the woods. One of the first things often seen in a portrait is the portrait taker... but within the images of Amelia, the quiet and intricate relationship between mother and daughter struck me even more so than Amelia's complete acceptance of her animal kingdom.

Many women photograph familiar relationships, and are subtly criticized by the greater world as being 'complacent' in their role as a woman photographer. Amy Elkins presented a myriad of statistics showing the small percentage of female photographers within museums and galleries, regardless of the percentage of females within the field.
There are undercurrents defining niche subjects as traditionally female verse male, and these unfair delineations have perpetuated a severe sexism within photography. Women in Photography is devoted to undercutting these designations by showing that quality work by women, is quality work regardless.




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